It’s incredibly difficult to describe Olga Karlovac once you look through her images. She’s not a landscape photographer, but she shoots landscapes that even the staunchest support of Adams would fall for. She’s not a street photographer, but she does street photography in a way that Diado Moriyama would commend. And Olga’s work includes portraiture that doesn’t draw influence from other visual media the same way that so many pieces on social media do. But instead, Olga’s work holistically embraces her own identity and finds comfort in her own skin like one would a silk kimono. With every turn of the page of her latest book, Elsewhere, it seems like Olga’s camera is aided by a poltergeist that provides a blessing like no other.